In 1966, while still a student at the UBC School of Architecture, Robert Hassell set out to design and build a home and studio for himself on the steep, rocky slopes of Eagle Harbour in West Vancouver. Drawing inspiration from “BC’s early wooden industrial structures, Haida longhouses, and Charles Moore’s influential Sea Ranch,”[1] Hassell designed a pair of quiet, vertically-oriented structures of open, interconnected volumes, organized around a central spiral staircase and connected by a glazed passageway. Nestled into the rocks while reaching up into the treetops, clad entirely in vertical cedar, and punctuated by large, sloped skylights, the home offers a beautiful interplay between the built and natural environments. A series of platforms, some raised, some merging with the landscape, create extensions of the floor plan outwards from the interior spaces, an invitation to inhabit the inside and the outside simultaneously. Constructed in various directions and at multiple levels around the perimeter of the home, this spatial and environmental interplay creates a sense of meandering and a further perforating of the boundaries between shelter and exposure to the elements. The immense sloped skylights, a signature of Robert Hassell’s architectural idiom, not only allow natural light to permeate deep into the home’s vertical, interconnected volumes, but also exposes the interior to views of the treetops and the moody skies of the pacific northwest. A visual, audible (during our rainy days), and thermal perceptive experience further blurring one’s senses of enclosure under the towering fir trees of West Vancouver.

Robert Hassell is widely recognized throughout the southern coastal regions of British Columbia for his domestic, mineshaft modern cedar buildings, and his former partnership with celebrated architect Barry Griblin (Hassell/Griblin), and Hassell House is considered to have been a prototype for the extensive body of work that would follow in the late 1960s and 1970s. Robert and Barry started working together in 1968, with a shared interest in BC’s wood industrial buildings, and would go on to design some of our region’s most definitively “west coast” houses, of the kind you think of when dreaming of a home in the woods amongst towering cedars. “If there really is such as thing as a west coast housing vernacular, it is surely epitomized by their work. Hassell/Griblin houses are often, and perhaps aptly, described as early mineshaft; modern cedar structures clinging to an unbuildable site.”[2]